{"id":19,"date":"2026-09-20T14:22:10","date_gmt":"2026-09-20T12:22:10","guid":{"rendered":"https:\/\/tdlr2.fr\/?spectacle=blessures-au-visage"},"modified":"2026-09-20T15:38:31","modified_gmt":"2026-09-20T13:38:31","slug":"blessures-au-visage","status":"publish","type":"spectacle","link":"https:\/\/tdlr2.fr\/?spectacle=blessures-au-visage","title":{"rendered":"Blessures au Visage"},"content":{"rendered":"<h4 style=\"text-align: center;\">de H. Barker<\/h4>\n<p>\u00a0<\/p>\n<div class=\"col-md-8 column\">\n<div class=\"fit\"><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/If5p0CFs0JI\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<\/p><\/div>\n<\/p>\n<div class=\"col-md-4 column\">\n<h5 class=\"line-header default textalignleft \">Mise en sc\u00e8ne :<strong> \u00a0<\/strong><\/h5>\n<p>Pierre-Marie Baudoin<\/p>\n<h5 class=\"line-header default textalignleft \">Jeu :<strong> \u00a0<\/strong><\/h5>\n<p>Julien Correa<br \/>\nMaud Imbert<br \/>\nH\u00e9l\u00e8ne Pierre<br \/>\nFranck Taponard<br \/>\nBrahim Tekfa<br \/>\nCharles T\u00e9tard<\/p>\n<h5 class=\"line-header default textalignleft \">Vid\u00e9o :<strong> \u00a0<\/strong><\/h5>\n<p>Olivier Cl\u00e9mente<br \/>\nVivien Guillet<\/p>\n<h5 class=\"line-header default textalignleft \">Musique originale :<strong> \u00a0<\/strong><\/h5>\n<p>Yannick Chapuis<\/p>\n<h5 class=\"line-header default textalignleft \">Lumi\u00e8re :<strong> \u00a0<\/strong><\/h5>\n<p>Jean-Philippe Lambert<\/p><\/div>\n<div class=\"clearfix\"><\/div>\n<div class=\"col-md-8 column\">\n<p>D\u00e8s les premi\u00e8res r\u00e9pliques de <em>Blessures au visage<\/em>, le spectateur est propuls\u00e9 dans cette esth\u00e9tique abrupte du th\u00e9\u00e2tre de la catastrophe d\u2019Howard Barker. Au c\u0153ur de la crise de la repr\u00e9sentation, il s\u2019en prend au visage et au regard. Le soldat, le peintre, entre autres personnages de cette pi\u00e8ce sont priv\u00e9s de leurs yeux et plus radicalement de leur visage.<\/p>\n<p>Balafr\u00e9s, \u00e9nucl\u00e9\u00e9s, d\u00e9-visag\u00e9s, d\u00e9-figur\u00e9s, les personnages sont anim\u00e9s par un m\u00eame d\u00e9fi\u00a0: comment (ne pas) perdre la face et comment dire l\u2019humanit\u00e9, par del\u00e0 la d\u00e9figuration. Il a fallu dans mon travail de mise en sc\u00e8ne donner un \u00e9cho \u00e0 cette parole.<\/p>\n<p>D\u00e9truit, le visage n\u2019en est que plus pr\u00e9sent encore\u00a0; parce qu\u2019il est emp\u00each\u00e9, mutil\u00e9, minimaliste, l\u2019espace gestuel se trouve renforc\u00e9. Le corps prolif\u00e8re et envahit le verbal. La torture pratiqu\u00e9e sur cet exceptionnel diffuseur de sens qu\u2019est le visage, revient \u00e0 priver l\u2019acteur des ses outils signifiants\u00a0: la vue, la mimique faciale. Les cris, les rires et les silences rythment les interventions des personnages\u00a0: surgissant \u00e0 l\u2019improviste ils constituent des p\u00e9riodes durant lesquelles la langue quitte le verbal pour s\u2019installer dans le corps.<\/p>\n<p><em>Le Chirurgien<\/em>.\u00a0:<br \/>\n<em>[\u2026] Votre m\u00e2choire est partie, une moiti\u00e9 de votre visage, l\u2019\u0153il compris. Le nez, enti\u00e8rement, et la bouche, le palais, une caverne, maintenant. [\u2026] vous serez pour toujours hideux, assis, seul, dans les chambres\u2026 [\u2026] Oui, tuez vous, si vous le d\u00e9sirez. Moi je le ferais.<\/em><\/p>\n<p><a href=\"http:\/\/tdlr2.fr\/wp-content\/uploads\/2014\/11\/barker-1.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-938 size-thumbnail\" src=\"https:\/\/tdlr2.fr\/wp-content\/uploads\/2026\/09\/archive-c3896c5c386ea17a.jpg\" alt=\"barker 1\" width=\"150\" height=\"150\"><\/a> <a href=\"http:\/\/tdlr2.fr\/wp-content\/uploads\/2014\/11\/barker2.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-939 size-thumbnail\" src=\"https:\/\/tdlr2.fr\/wp-content\/uploads\/2026\/09\/archive-d55bf3d66e90a026.jpg\" alt=\"barker2\" width=\"150\" height=\"150\"><\/a> <a href=\"http:\/\/tdlr2.fr\/wp-content\/uploads\/2014\/11\/barker3.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-940 size-thumbnail\" src=\"https:\/\/tdlr2.fr\/wp-content\/uploads\/2026\/09\/archive-e19517d4d6fa2567.jpg\" alt=\"barker3\" width=\"150\" height=\"150\"><\/a> <a href=\"http:\/\/tdlr2.fr\/wp-content\/uploads\/2014\/11\/DSC00767.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-941 size-thumbnail\" src=\"https:\/\/tdlr2.fr\/wp-content\/uploads\/2026\/09\/archive-905f1e42eb24000a.jpg\" alt=\"DSC00767\" width=\"150\" height=\"150\"><\/a> <a href=\"http:\/\/tdlr2.fr\/wp-content\/uploads\/2014\/11\/DSC00777.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-942 size-thumbnail\" src=\"https:\/\/tdlr2.fr\/wp-content\/uploads\/2026\/09\/archive-c0f3890726b4d485.jpg\" alt=\"DSC00777\" width=\"150\" height=\"150\"><\/a> <a href=\"http:\/\/tdlr2.fr\/wp-content\/uploads\/2014\/11\/DSC00781.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-943 size-thumbnail\" src=\"https:\/\/tdlr2.fr\/wp-content\/uploads\/2026\/09\/archive-ca751b832552652e.jpg\" alt=\"DSC00781\" width=\"150\" height=\"150\"><\/a><\/p>\n<\/p>\n<\/div>\n<div class=\"clearfix\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 partir d\u2019Howard Barker, le spectacle travaille le visage comme lieu de l\u2019identit\u00e9, du d\u00e9sir et du regard port\u00e9 par les autres.<\/p>\n","protected":false},"featured_media":154,"menu_order":95,"template":"","class_list":["post-19","spectacle","type-spectacle","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/tdlr2.fr\/index.php?rest_route=\/wp\/v2\/spectacle\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tdlr2.fr\/index.php?rest_route=\/wp\/v2\/spectacle"}],"about":[{"href":"https:\/\/tdlr2.fr\/index.php?rest_route=\/wp\/v2\/types\/spectacle"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tdlr2.fr\/index.php?rest_route=\/wp\/v2\/media\/154"}],"wp:attachment":[{"href":"https:\/\/tdlr2.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}